And now for something a little different. A free-write, of sorts, which I will be leaving up for a while (ie: no new posts), so as to give people a chance to read it. Let me know what you think…
A vast dry wasteland, nothing but scrub horizon to horizon, the sky distant above. Blue canvas, white smears, intentional perhaps, but only subjectively so. A wind arises, not a “languid” wind because “languid” implies sensuality. “Apathetic”, perhaps, but oilier than that. “Unctuous”, but less morally abhorrent. This very wind oozes out along the plane, picking up tumble weeds here, turning on itself in the sudden frenzy of whirling there. Grains of sand are blown about, scattered like refugees, so used to these sudden abductions that they are numb; empty husks in the hands of the careless wind. Above, the clouds stir restlessly, like a lover, horny but only in the half-dead way brought on by a hot summer morning spent over-long in bed.
I should not go back over and read this, because it does not matter what it says, it only says what it said when it was saying it, and now it is saying this, and now it is saying this and now it is saying this. To hold a concern what it was saying moments ago is to make this into something other than it is. This is a wet cough of a paragraph, that is all. A white space filled with phlegmy goo. Want to see? Well… I didn’t want to show it to you anyway. There should be an exclamation point at the end of that last sentence, but there’s not. Or, I should say, it might seem like there should be an exclamation point, but there shouldn’t. This is fun, this endless falling, flailing through the void that is a blank page. What does one think about when one feels the terror of falling, but at the same time, feels pretty sure that hitting bottom isn’t actually an option? How absurd the terror that simultaneously knows its existence and its own untruth. You have to feel sorry for it, in a way, even if only to avoid the social gaffe of laughing at its dilemma. Not a good habit to get into, laughing at the absurdity of terror.
So then terror is put soundly to bed, occasionally giving out cute little wheezings, but otherwise pretty much satisfied, a little smile on its face. Such a happy guy, you want to tousle its hair a bit. You refrain, but now what? At one point, perhaps boredom peeked in around the door, but boredom can only be a momentary companion at best, so long as one is aware of one’s constant falling. Perhaps the scenery doesn’t change, but you can’t claim to be bored by the constant wind whipping past your face and your limbs flailing about in all directions. So no, no boredom, unless you go back to sleep, and that’s not really an option, is it? What else is around then? Ah, I see. Pride. Pride rises like a sun within, warming seeds, bringing forth the first green shoots of future plans. I see, indeed. A precious thing, this pride, though impossible to trust, because while watching and watering those green shoots, it’s all too easy to slip into a dream about gardening, and then what? You forget you’re falling, that’s what, and forgetting your falling (even though you’re still falling) is cutting your self off from that vast void. “Only the doors to emptiness support the hive”.
But hey, look, I seem to be doing a bit of the old “holy fool” act here. Arid wasteland is turned into root-of-all-that-is. Or is it? Actually, no, you see, the wasteland’s not healed if the king’s just having pretty dreams. The dude needs to wake up and start fixing shit. Pride’s just the last (the last?) defense of good old Mara. If he can convince you you’ve won before you’ve actually won, you’ll spend all day polishing your trophy while the other racers decay around you.
Sadly, here is where the real world comes in. I’ve been distracted, you see, pulled away from the blankness. Maintenance, both physical and emotional, is requiring attention. But then, is there ever really anything else? What does it mean to be satisfied? How does satisfaction differ from death? Movement requires friction, and if all life is dukha, then what’s satisfaction? How to spend what is given to you when it is both priceless and worthless? But I wander into the dangerous shores of solipsistic speculation here, and while extreme close-ups of my bellybutton lint might hold some small possibly being of slight interest to perhaps one or maybe two people, but they don’t really help anyone much, do they?
I have a tendency, just like that wind, to either pick up tumble weeds and play with them idly, or turn inwards in a sudden frenzy of self-chasing (and what happens when you catch your self, that ever-fading echo of after-image?). Meanwhile, the sands of my emotional life are thrown hither and thither, numb by the tireless movement of it all. Perhaps they’d sprout, if they could just sit in one place long enough to get some light and perhaps put down some roots…
But then, are these more dream flowers, or are they the real thing? Now I’ve cast myself as Grail King it seems, but is it pride or masochism to take on the archetype of The Divine Sufferer? Or is it neither? God sends his son, ever minute of every day, to be crucified at the crossroads of the here and the now, and most people just sit and stare blankly: “Oh my, look at what their showing on the TV!”
If awareness voluntarily takes on form, why does it do so? It seems the best to consider this as done-for-the-purpose-of-healing, but that which is healed is only ever injured in the first place because of word-taking-flesh having seemingly gone awry. It’s as if we’re little psychic platelets, coming to patch a wound in the universe’s side, except that on coming out of the wound, we only make it wider when we harden into scab. It’s a gross picture, but there you have it. I can find no source this wound , it seems.
Still, I must do something, mustn’t I? Looking at things from the perspective of the wounded seems like it might be a good way to go about healing said wound, perhaps. After all, when “things-as-they-are are perfect only we don’t see it as such”, perhaps we are the one who’s wounded. What’s a God but a blown up picture of a man? It wasn’t Satan who rebelled from God, it was the ego, but the ego’s still God nonetheless, it just doesn’t know it. And the Garden of Eden, well, that’s going on every moment of every day. In everything we do there is the Garden and there is Good and there is Evil. And never the three shall meet (though is it three or only two? is it two, or only one?) Can the garden ever be truly left behind, or is it spread across the earth and we just do not see it? Bah. Hall of pretty mirrors. When will you reflect clearly? When I am both reflected and reflector, it is hard to get a complete picture, but when I am neither, how do I see?
So there you have it: there is no self. Buddha was right. Then again, such philosophies can create a false sense of doneness and this scares me more than anything else. And all this here? Simple more grass in the hole. I look around, I check my downloads, I pull out my storage cases. Having doesn’t mean understanding, and understanding doesn’t mean being able to recall, and being able to recall doesn’t mean skillfully using. Why not just jump to that last step, since there is no guarantee any one of these will lead to the next? Oh, because you might hurt yourself (or someone else)? Hmm… Good point. Can that, then, be avoided through the means of utter sincerity?
I wish to do more descriptions but find myself at a loss. Trees, this time perhaps. More fitting for my surroundings anyway. Fronds on trees. Bark puckered by the moisture, flowering. Moss abounding everywhere, its softness joyfully greeting your touch. Or maybe better vice-versa: your touch joyfully greeting its softness. Everything is wet here, everything drips, everything gleams. Everything is ALIVE. You feel like a bubble full of noxious gas in a children’s softly scented daycare. Afraid to let go the horrors you cling to inside, but longing for your deep tortured-bits to be touched by that humming song of life-full-ness.
And they tell me I have to de-humidify the building! Bah! Let me live in the mould and the mildew. Let the ferns and moss sprout on every wall, give me the trees beneath my feet, the rain in my hair, and the world as my room. But leave me a small dry corner in which to start a fire, yeah? Cause there’s no reason to make it one or the other. Is it two or is it three? Or is it one-with-two-faces-which-we-confuse-as-three? Or does it need to be anything at all? Perhaps it doesn’t, but try to tell yourself that when it’s cold and there’s a hole in your wall that the whole damp forest spills through, and you’re too afraid it’d be another social gaffe if you brought out the matches so you sit shivering.
This is fun. I like this. I hope to do more of this, yes, much more, and maybe at some point the whole thing will spontaneously burst into form, noise into signal, or better yet, noise into symphony. Yes. Let us keep our fingers crossed, and our rabbit’s feet fondled, eh? First-planted-seeds seem to grow the quickest around here, but, as always, there is the question of maintenance. Work is needed, struggle. If it were effortless, you’d be always satisfied, and if always satisfied, there’d be no friction, and if you were frictionless you’d be dead. What joy is there in death? But then, what joy in endless trips to the dungeon just to enjoy the light on your face when you finally remember how to get out? None, to my mind, and besides, you only forgot the way out in the first place because it’s no fun to trying to escape a dungeon when you already know all the exits. Bah! Another stupid game.
But then, what to do if it’s the only game in town? Go to a new town? Now there’s a step into the unknown. I’ve heard it said that there are only ever two real stories: A stranger enters town. Or someone leaves town. And yet here we are making a heads-or-tails decision out of a single coin again. We’ve escaped from the dungeon game into an exact and identical copy of the same thing. New towns might hold new games, but learning a new game means you’ve just built another dungeon around yourself. It’s not “the only game in town” it’s town-as-game, civilization-as-sideshow, but when the genii’s out the bottle how can it possibly be pushed back in? How can we convince it to stop distracting us?
The only way out is through, the only way forward is to pick up our tools where they were left (by ourselves? by others? it doesn’t matter) and carry on. The work continues, and we are only given the instructions as we need them. The blueprint’s too big to carry, so we get a page at a time and even that gets taken away when we get confused and start endlessly building door-frame after door-frame, instead of putting in a hallway. But they let us go on, regardless. After all, it’s our house we’re building. We have to live in it. There ain’t no one else ready to do the building, and it’s a sunuvabitch to train a new work-crew.